Juan Francisco Sans

The precocious sage, the eternal child

Authors

DOI:

https://doi.org/10.5281/zenodo.8266352

Keywords:

Keith Emerson, Pablo Hilario Giménez, José Rafael Lovera, José Antonio Calcaño, Mariantonia Palacios

Abstract

This paper is a brief portrait of the musician, pianist, composer and musicologist Juan Francisco Sans, as perceived by someone who had the privilege of sharing friendship and professional projects with him.

Author Biography

  • Bartolomé Díaz Sahagún, Universidad Metropolitana, Metropolitan University, Universidad Metropolitana, Metropolitan University, Universidad Metropolitana

    Bartolomé Díaz Sahagún trained under the direct tutelage of maestros Antonio Lauro and Abel Carlevaro, two of the most famous guitarists and composers of the 20th century. He is the director of Culture of the Universidad Metropolitana, Caracas, and is in charge of the Artistic Artistic Direction of Musicum, the ensemble of that institution. He is also producer, composer, arranger and specialist in the interpretation of ancient plucked instruments.

References

Sans, J.F. (2012). La graciosa sandunga. Cuaderno de piezas de bailes de salón del siglo XIX recopilado por Pablo Hilario Giménez. Fundación Bigott.

Cubierta Mayéutica Revista Científica de Humanidades y Artes, Vol 11, Nro. 2

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Published

2023-07-01

Issue

Vol. 11 No. 2 (2023): Mayéutica revista científica de humanidades y artes

Section

Información científica y cultural

License

Copyright (c) 2023 Bartolomé Díaz Sahagún

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

How to Cite

Juan Francisco Sans: The precocious sage, the eternal child. (2023). Mayéutica Revista Científica de Humanidades Y Artes, 11(2), 175-178. https://doi.org/10.5281/zenodo.8266352