Speíra: music as trajectories in space

Authors

  • Antonio Giménez Fréitez Universidad Centroccidental Lisandro Alvarado. Venezuela

Keywords:

algorithmic composition, Cartesian coordinates, speira, spirals

Abstract

This compositional project deals with the creation of a musical work for single flute based on trajectories in a Cartesian plane describing a spiral. The proposed composition procedures have a quantitative approximation based on an algorithmic type model. The compositional process is given by a set of mathematical operations where finally the sound fact serves to translate an abstract structure to the real space-time and to be able to perceive it auditively.

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Author Biography

Antonio Giménez Fréitez, Universidad Centroccidental Lisandro Alvarado. Venezuela

Bachelor of Music at the Instituto Universitario de Estudios Musicales-Caracas (IUDEM), Postgraduate in Orchestra Direction (Conservatory de Reims-France), Postgraduate in Composition of Music for Cinema (Normal School of Music of Paris-France), Postgraduate in Composition with New Technologies (Pompeu Fabra University-Spain). Professor of the Humanidades Deanship and Arts of Universidad Centroccidental Lisandro Alvarado and director of the orchestra of Chamber of the same institution. Currently he is studying for a Doctorate in Music at the Pontificia Universidad Católica Argentina de Buenos Aires

References

BOULEZ, Pierre. 1989. Jalons. París. Christian Bourgois Editeur.

DE RIVIERA MENESES, Alberto. 201 4. "Arquímedes el genio de Siracusa".
Departamento de matemáticas de la Universidad Autónoma de Madrid. [en línea].
dirección URL:
https://www.uam.es/personal_pdi/ciencias/barcelo/historia/Arquimedes,%20el%20genio%20de%20Siracusa.pdf.

GUARDIANI, Paolo. 2006. "Cartesian music representation system, music composition process using such system, and music processing and executing". [en línea].
dirección URL:
https://www.google.com/patents/WO20061 29332A1 ?cl=en&dq=ininventor:%22Paolo+Guardiani%22&hl=en&sa=X&ei=jnWcVN7-tW1sQTDz4CoAQ&ved=0CB0Q6AEwAA.

LACHENMANN, Helmut. 1996. Musik als existentielle erfahrung. Leipzig. Breitkopf & Härtel.

LAURSON Mikael., KUUSKANKARE Milka. 201 3. The PWGL book. Helsinki. University of the Arts. [en línea]. dirección URL: http://www2.siba.fi/PWGL/downloads.html.

ORTIZ DE ZÁRATE, Juan. 2004 “Brian Ferneyhough: Principios básicos de la estructuración rítmica de su música”. Revista Resonancias-Pontificia Universidad Católica de Chile. 24/ 13-22.

SCHAEFFER, Pierre. 1966. Traité des objets musicaux. París. Editions du Seuil.
Mayéutica Revista Científica de Humanidades y Artes. Volumen 4

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Published

2016-12-16

How to Cite

Giménez Fréitez, A. (2016). Speíra: music as trajectories in space. Mayéutica Revista Científica De Humanidades Y Artes, 4, 46–61. Retrieved from https://revistas2.uclave.org/index.php/mayeutica/article/view/773

Issue

Vol. 4 (2016): Mayéutica Revista Científica de Humanidades y Artes

Section

Investigación

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